New! Supplemental Video and Sheet Music for “A Study in Blues Piano”

Hey!

In response to student requests for sheet music, illustrating licks from my video course, A Study in Blues Piano: Focusing on 12 Licks, I have so far created notation for several of the licks.

Today, I have another sheet for you, which I hope will also be helpful.

Please recall, sheet music materials are completely OPTIONAL for this class. No worries at all, if you are a non-music reader.

VIDEO: This post includes an optional video (below). Continue reading “New! Supplemental Video and Sheet Music for “A Study in Blues Piano””

Sheet Music: Lick #1 from A Study in Blues Piano

 

Blues/Improv Students:

How’s yo blues?

I’ve had requests for piano notation covering the blues licks in my course, A Study in Blues Piano.

That course is video-based, and teaches from a chord-based improvisation point of view.

I sometimes resist providing notation for improvisation-focused courses, because it can almost promote blind imitation, rather than creative playing.

That said, I’ve had a couple of convincing requests lately from students who wanted to have sheet music to supplement this class. As a result, I’ve decided to provided some helpful notation for each of the licks. Ain’t no thing man, I feel you. (Wah?)

Okay! Here’s a downloadable PDF file for Lick #1, “Energy.”

After I finish the notation for all twelve licks, I plan to come back and add tutorial text to support the process of playing from each of these sheets.

FYI: All of these upcoming sheets will be directly downloadable from within A Study in Blues Piano – Focusing on 12 Licks.

 

Blues Piano Crash Course #11: How to play blues in any key (transpose)

from The Blues Piano Crash Course

This sample lesson (complete) is available to our visitors, and, of course, to our supporting members!

Lesson #11  (video)

Learn how to transpose the chords, scales, and concepts you learned in this crash course into other keys.

“All the same things” apply to playing blues in any key.  You will simply be learning the steps needed to move your musical patterns and shapes — that is, the three main chords, the blues scale, your favorite licks, etc. — into any desired key!

Especially good keys for you to learn to jam in are:

Continue reading “Blues Piano Crash Course #11: How to play blues in any key (transpose)”

Blues Piano Crash Course #10: Turn-arounds and endings

from The Blues Piano Crash Course

Lesson #10  (video)

Turn-arounds and endings for the 12-bar blues.

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Blues Piano Crash Course #9: The Melody Machine

from The Blues Piano Crash Course

Lesson #9  (video) "The Melody Machine"

This thing I like to call the  "melody machine" is by no means a new technique for creating strong melodies. Singers, composers and improvisers have built melodies this way forever.  In a nutshell, it's a specific way of using the underlying chord progression as a "generator" of melodic material.

Sometimes this "melody generating" concept doesn't get enough of a spotlight. By spotlight, I mean pointing it out and teaching it, in places where students can fully appreciate the power of the results.

So here's a great place for that spotlight:  the art and science of creating powerful blues licks!

The remaining content of this post is for supporting members. Your monthly membership is extremely affordable, and makes it possible for us to work full-time on the task of creating  FREE educational content, plus additional premium content, for members like you. This is a fast-growing site, and we really need your support as an "All Access" premium member   to keep this site alive.  (After signing up, you may need to refresh this page to open all the content.)

Blues Piano Crash Course #8: Blue notes & pitch-bending

from The Blues Piano Crash Course

Lesson #8  (video)

In this lesson, we master a couple of specific blues piano tricks of the trade.  I'm using the word specific here, because we're going to use these devices with a goal in mind, a musical effect that is pretty specific.

The "tricks" in this video are focused on emulating those sounds of blues singers and other instruments who can "bend" their notes (slide or play between pitches).  You'll learn about "blue notes," and also pick up a blues-boogie playing technique called the slide-off.

The remaining content of this post is for supporting members. Your monthly membership is extremely affordable, and makes it possible for us to work full-time on the task of creating  FREE educational content, plus additional premium content, for members like you. This is a fast-growing site, and we really need your support as an "All Access" premium member   to keep this site alive.  (After signing up, you may need to refresh this page to open all the content.)

Blues Piano Crash Course, #7: Walking Bass Line & more coordination

from The Blues Piano Crash Course

Lesson #7  (video)

Rhythm is never to be neglected in the Blues, even in performances that are so slow and sultry that it feels like we're all just breathing, no real beat, just waves...oh sorry, I spaced! Ha. Thing is, even a very slow blues is going to rely heavily on rhythm to give us another undeniable take on real life. We all know how "slow" can sometimes be more alive than "fast" anyway. It all depends right?

I'm saying that about rhythm here because this is the third lesson in a row where we've been practicing two-handed coordination on the piano. And I think I'd better explain myself, before you get too bored or too frustrated or both.

First, the more fun work (fun work? yep) picks up again after this third lesson on coordination. I swear. Also, you will learn how to do a walking bass line in this one.

Finally, this maybe-less-than-fun stuff is truly important, this coordination work on piano, because if your hands aren't "of one mind" -- coordinated -- then the exalted Rhythm Itself will suffer. And we can't have that in the blues, not on my watch, dig? If you want to sound great, instead of just good or worse, then quite often it's just a matter of fixing up that rhythm. Something that can mystify us sometimes -- that frustrating sense of "it just doesn't sound right" -- can often be traced back to one thing: The Lack of a Solid Groove. Rhythm is King!

The remaining content of this post is for supporting members. Your monthly membership is extremely affordable, and makes it possible for us to work full-time on the task of creating  FREE educational content, plus additional premium content, for members like you. This is a fast-growing site, and we really need your support as an "All Access" premium member   to keep this site alive.  (After signing up, you may need to refresh this page to open all the content.)

The Blues Piano Crash Course – Lesson #6: More practice & help with two-handed coordination

From The Blues Piano Crash Course

Lesson Six (video) "Put Your Hands Together - Again..."

More tips and practice on two-handed coordination for piano, using notes from the blues.

The remaining content of this post is for supporting members. Your monthly membership is extremely affordable, and makes it possible for us to work full-time on the task of creating  FREE educational content, plus additional premium content, for members like you. This is a fast-growing site, and we really need your support as an "All Access" premium member   to keep this site alive.  (After signing up, you may need to refresh this page to open all the content.)