I’m just churning out these little sheets…by request…
This is entirely optional material, as far as completing the above course is concerned. As I said yesterday, this is a supplement I’m putting together, in response to recent requests that I’ve had from students who can read music.
Non-music readers: This course was designed to require ZERO reading of music. Fear not!
How’s yo blues?
I’ve had requests for piano notation covering the blues licks in my course, A Study in Blues Piano.
That course is video-based, and teaches from a chord-based improvisation point of view.
I sometimes resist providing notation for improvisation-focused courses, because it can almost promote blind imitation, rather than creative playing.
That said, I’ve had a couple of convincing requests lately from students who wanted to have sheet music to supplement this class. As a result, I’ve decided to provide notation for several of the licks, plus notation for a complete blues piano solo (featuring licks from the course).
Here’s a downloadable PDF file for Lick #1, “Energy.”
The minor pentatonic scale is a hyper-cool five-note scale. An extremely popular source of melodic and harmonic material in many cultures, this scale’s distinctive signature is heard “all the time” in improvisational genres like rock, pop, blues and jazz.
For those of you who like to put words to your music: The word “pentatonic” comes from the Greek word pente, meaning five, and tonic, meaning tone. Bring that up at your next book study group, and you will look like a raging party animal. Things will go right off the hook from there, bro, seriously. Continue reading “Memorize all 12 Minor Pentatonic Scales – Today. Yep!”
Slash chords in sheet music look like this:
Here’s a detailed tutorial on how to interpret slash chords on piano. This lesson includes insights into several ways that slash chords are used, such as indicating an inversion, implying a descending bass line, or a simply notating a fresh chordal sound.
Composers and songwriters can use the “slash chord idea” in their creative thinking. That is, the effect of playing any given chord over bass notes that are not the actual root of the chord opens up endless possibilities. Some of the thinking behind these possibilities is discussed in this lesson.
Here’s a nice jazzy drill, to give you practice on:
(1) Adding interest to your melody lines, by sometimes preceding the “target tone(s)” of a chord with “approach tones;” and,
(2) increased mastery of any given scale, especially as it relates to the underlying chords.
As a result, the repeated act of mindfully (and not mindlessly) practicing this drill can increase your general facility with approach tones, as well as give you (possibly new) theoretical insights regarding chord-scale relationships. Dig? You’ll see.