Complete Moonlight Sonata–Easy-to-Read Sheet Music with Letters

beethoven--moonlight sonata with letters added
Spread the love

Beethoven Piano Sonata No. 14 “Moonlight”


ALL THREE MOVEMENTS:  Complete and unabridged. Beethoven’s Moonlight Sonata  piano .sheet music with letters added to each note.

Compiled, notated, annotated and cross-checked against highly reputable published sources by Kent D. Smith, professional music instructor (that’s me, the guy that runs this place!).


LETTERED NOTES

Each note in this sheet music is labeled with its associated letter-name, such as E, D#, Ab.

Continue reading “Complete Moonlight Sonata–Easy-to-Read Sheet Music with Letters”

Here’s a little bit about “So What” chords

Spread the love

I have a micro-slideshow for you today, about “So What” chords.  This one will be followed soon by Part Two. Then, I’ll be adding to these posts, more detail that is, which I do a lot with already posted stuff.


After these quick slides, you might like these two video posts by me, on “Fourth Chords,” which are closely related to “So What” chords:

Fourth Chords on Piano

More on Fourth Chords


Here’s those slides…

SLIDE 1.

Continue reading “Here’s a little bit about “So What” chords”

Jazz/Rock/Blues Soloing Tip: Using the ‘Rock-Bottom Four’ of the Blues Scale

Spread the love

A Powerful Tip for Blues, Jazz, and Rock Improvisers

Good day!

This is a slide show, which is a common format that I use on my Instagram channel.

I have discovered that these types of posts are very popular on my Instagram page, so I’m going to start featuring these here, too!

Continue reading “Jazz/Rock/Blues Soloing Tip: Using the ‘Rock-Bottom Four’ of the Blues Scale”

A Study in Blues Piano – Focusing on Twelve Licks

Spread the love

Welcome to A Study in Blues Piano!

Course Description

This is an in-depth study of twelve blues licks, with extensive left-hand support tips. Each lick/riff is explored in detail, including variations, fingering, playing tips, and supporting music theory.

More than just learning the notes by rote, you will get insight into the patterns, scales, chords and intervals involved, including how to transpose each lick.

As a result, each lick will be mastered as RAW MATERIAL for endless variations, with applications in many musical settings (genres).

Lick #10 of this group is actually more than a lick; rather, it gives you a complete two-handed 12-bar opening groove, including a left-hand pattern to support your licks throughout your soloing.

Sheet Music

Students can download and print optional sheet music for several of the licks. There’s also a sample solo piece with a 12-bar introduction, followed by a 12-bar piano solo that features licks from the class.


THE TWELVE LICK STUDIES


One

Continue reading “A Study in Blues Piano – Focusing on Twelve Licks”

Blues Lick #6: “Locked up”

Spread the love

Welcome Back to a Study in Blues Piano!


Blues Study Lick #6, “Locked Up”

This is a really exciting technique for what I like to call the “Big Blues” sound.  By “Big Blues,” I mean dramatic, exciting, full, like you might hear from a jazz big band.  This kind of lick also works great for building to a climax in your “blues story” (a good solo usually tells a story).
The name of this lick, “Locked Up,” ain’t necessarily because what you’re saying with your fingers might be a story about going to jail. In this video, “Locked up” actually refers to the core idea of the lesson, something called “locked rhythm.”

Continue reading “Blues Lick #6: “Locked up””

The Complete ‘Clair de Lune’ Sheet Music with Letters

Spread the love

Claude Debussy’s timeless and extremely popular piano piece, Clair de Lune, is well-known around the world.  Its origins include influences from poetry, the music of Bach’s time (the Baroque period), and the artistic school of Impressionism.

The piece’s name means “moonlight.” It is the third movement of a four-part work called Suite Bergamasque.

 

Debussy’s music was a major departure from the Romantic music of the 19th century.  He, along with composer Maurice Ravel, is regarded as a primary founder of what came to be known as French Impressionism.


 

Chord Symbols: add2 or add9? (includes my video on using added ninth to chords)

Spread the love

Hi Everyone!

I recently received a question today (on my YouTube channel), an excellent one, the topic of which is subject to debate.  The question is in response to one of my videos about using add9 chords on piano.  (A link to the video is included below.)

I thought I would share the thread here:

VIEWER: Isn’t the D in Cadd9 supposed to be an octave higher? I guess I’m just confused as to why it isn’t Add2 instead.

Continue reading “Chord Symbols: add2 or add9? (includes my video on using added ninth to chords)”

Chord Voicings for Jazz Piano (Rootless, Left-Hand, Type B)

Spread the love

“Type B” Rootless Chord Voicings for Piano

“Rootless voicings” on piano (especially for left-hand support) are great for handling big jazz chords that normally can’t be covered by one hand alone. This video tutorial  shows you how to play a rich sounding II-V-I in the left hand, while allowing the bass player (or you, on another beat) to cover the root. Continue reading “Chord Voicings for Jazz Piano (Rootless, Left-Hand, Type B)”