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Sheet Music: Lick #10 from “A Study in Blues Piano”

More Sheet Music for ‘A Study in Blues Piano’

Updated Dec. 5, 2021.

Hello to all blues piano students!

Here’s a downloadable PDF file of sheet music covering Blues Piano Lick #10, for optional use with my course “A Study in Blues Piano” (all on this site).

This sheet is part of a supplemental collection I’m putting together, in response to recent requests.

Cheers!

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Free Blues Piano Lessons: A Study in Blues Piano – Focusing on Twelve Licks

Welcome to A Study in Blues Piano!

Course Description

This is an in-depth study of twelve blues licks, with extensive left-hand support tips. Each lick/riff is explored in detail, including variations, fingering, playing tips, and supporting music theory.

More than just learning the notes by rote, you will get insight into the patterns, scales, chords and intervals involved, including how to transpose each lick.

As a result, each lick will be mastered as RAW MATERIAL for endless variations, with applications in many musical settings (genres).

Lick #10 of this group is actually more than a lick; rather, it gives you a complete two-handed 12-bar opening groove, including a left-hand pattern to support your licks throughout your soloing.

Sheet Music

Students can download and print optional sheet music for several of the licks. There’s also a sample solo piece with a 12-bar introduction, followed by a 12-bar piano solo that features licks from the class.


  • THIS COURSE IS FREE TO VISITORS WHEN VIEWED HERE ONLY.  HOWEVER, ALL ORIGINAL CONTENT ON PIANOWITHKENT.COM REMAINS COPYRIGHTED MATERIAL, AUTHORIZED FOR PERSONAL USE ONLY, AND IS NOT AUTHORIZED FOR DISTRIBUTION, UNLESS EXPLICITLY AUTHORIZED, IN WRITING, BY KENT D. SMITH OF PIANOWITHKENT.COM.
  • Piano With Kent is a US Registered Trademark.
  • Thank you for your continued support of free education!

By Kent. D. Smith of Piano with Kent. (c) 2010. (c) 2021.  All rights reserved.

 


THE TWELVE LICK STUDIES


One

Continue reading Free Blues Piano Lessons: A Study in Blues Piano – Focusing on Twelve Licks

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Learn all 12 Major & all 12 Maj7 Chords by Pattern (not by rote)

<- Back to the Chords 108 Main Course Page

Welcome back!

Today we’ll learn the unique 3-letter formula the applies to every standard Major and Major Seventh Chord.

Audience: Any musician who’s struggling to memorize the individual notes to all those dang chords on piano or keyboards, and looking for a solution!

Description: Learn how to immediately call up the notes to any of the twelve major chords — without having to rely on rote memory.  This lesson applies to all twelve major seventh chords as well.

Video Lesson:

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Blues Piano Crash Course #8: Blue Notes & Pitch-Bending

from The Blues Piano Crash Course

Lesson #8  (video)

In this lesson, we master a couple of specific blues piano tricks of the trade.  I’m using the word specific here, because we’re going to use these devices with a goal in mind, a musical effect that is pretty specific.

The “tricks” in this video are focused on emulating those sounds of blues singers and other instruments who can bend their notes (slide or play between pitches).  You’ll learn about “blue notes,” and also pick up a blues-boogie playing technique called the slide-off.

Continue reading Blues Piano Crash Course #8: Blue Notes & Pitch-Bending

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Blues Lick #10: Learn to Play a Complete 12-Bar Introduction

Welcome back!

Today’s lesson is more than just a lick…

We have here a two-handed intro section, a great setup for getting any blues jam started. This opening groove covers a full 12-bar cycle, giving your listeners an exciting intro (a.k.a. “head”) which leads nicely into the next 12-bars, where you can begin your right-handed soloing.  Note, you can use the left-hand (bass line) of this groove throughout your entire jam. It’s a simple and powerful bass line that keeps the beat going strong.  But wait, there’s more! This lesson also includes a sample opening for your solo.

VIDEO LESSON Continue reading Blues Lick #10: Learn to Play a Complete 12-Bar Introduction

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Blues Lick #11 “Pentatonic Pads”

 

In this lesson you’ll learn a versatile way to group any “pentatonic” scale into a pair of three-note, three-finger clusters.  Using this three-finger approach makes it easy to play fast and interesting licks, up and down the keyboard.

Continue reading Blues Lick #11 “Pentatonic Pads”

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The Blues Piano Crash Course – Lesson #6: More practice & help with two-handed coordination

PREMIUM CONTENT (Lesson #3 is a free sample).

From The Blues Piano Crash Course

Lesson Six (video) “Put Your Hands Together – Again…”

More tips and practice on two-handed coordination for piano, using notes from the blues.

Continue reading The Blues Piano Crash Course – Lesson #6: More practice & help with two-handed coordination

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Blues Lick #6: “Locked up”

A Study In Blues Piano ~ Lick #6, “Locked Up”

<- LESSON FIVE

LESSON SEVEN ->

BACK TO COURSE PAGE

Updated Feb. 4 2021.

This is a really exciting technique for what I like to call the “Big Blues” sound.  By “Big Blues,” I mean dramatic, exciting, full, like you might hear from a jazz big band.  This kind of lick also works great for building to a climax in your “blues story” (a good solo usually tells a story).
The name of this lick, “Locked Up,” ain’t necessarily because what you’re saying with your fingers might be a story about going to jail. In this video, “Locked up” actually refers to the core idea of the lesson, something called “locked rhythm.”

Continue reading Blues Lick #6: “Locked up”

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FREE Blues Piano Lessons @ Piano With Kent | “The Blues Piano Crash Course” Main Page

A FREE VIDEO-BASED COURSE on the ESSENTIALS of BLUES PIANO IMPROVISATION : ‘The Blues Piano Crash Course’ with Kent D. Smith

‘Piano With Kent’ is a US registered trademark. Although this course is currently free to the public, as published on this site alone, be advised that this entire website, pianowithent.com, and all of its original content is Copyrighted Material. By Kent. D. Smith of Piano with Kent. (c) 2010. All rights reserved.

 


Curriculum


Lesson One – “The Blues Scale”

 

Supplemental (optional) from “A Study in Blues Piano” – Licks #1 and #2

 

Lesson Two – “A Left-hand Groove”

Lesson Three – “Five Must-know Riffing Devices”

 

Lesson Four – “The Classic 12-bar Blues Progression”

 

Lesson Five – “Put Your Hands Together”

 

Lesson Six – More tips and practice for the Two-Fisted Jammer

 

Lesson Seven – A Walking Bass Line & More Coordination

 

Lesson Eight – Blue Notes and pitch-bending

 

Lesson Nine – The Melody Machine

 

Lesson Ten – Turn-arounds and Endings

 

Lesson Eleven – Playing Blues in Any Key

 

end of list (all core lessons)

Course Description

Learn the essential elements of improvising blues piano, including the (minor) Blues Scale, the 12-bar Blues pattern, left-hand grooves, coordination exercises, and plenty of raw material for your own licks.

My goal is for you to start improvising great blues solos!

Although most of this course is in the key of C, there is a detailed lesson that covers transposing the blues scale, and the 12-bar blues progression, into other keys.

Is this what you’re looking for?

Students taking this course should be interested in learning blues improvisation.  Improvisation in blues usually has an underlying structure, a key center, and a chord progression that is being followed.  The rhythm and the chords give us that beautiful sense of a distinct groove, and the soloists do their thing “on top of” that.  In this course, you will learn the basic structural stuff, but you will also be given (taught) the popular raw materials for creating blues licks and melodies in general.  It will be your job to turn those raw materials into original licks.  I can give you expert guidance, hints and tips and raw material, which I do, but in the end, it’s your solo! That’s the beauty of studying improvisation. You get to own it.

Blues-inspired improvisation is at the core of, and will always have an influence on, countless musical genres. The blues scales, blues chord progressions, the “Blue Notes”…these are staples of so much great rock, hip-hop, jazz, country, gospel, and so on. That’s just to name a few of the mega-genres that have “blue blood” in their veins!

We can either forget about, or fail to recognize, the blues roots in so much contemporary music, but it’s everywhere.

So, back to the question, “Is this what you’re looking for,” I would suggest “yes,” because you read this far, still hanging in, after reading what’s what, so therefore you might like the class. That may be an odd conclusion.

Preview: To help you get an idea of how these videos might work for you, Lesson #4 (link below) is currently watchable as a full lesson preview.

Recommended knowledge or experience

  • You will need NO ability to read music (true for this particular course, and for most lessons on this site).
  • Knowing the names of the notes on your keyboard (like E, F#, G) is helpful in this class, but is not absolutely required.
  • We do start out hoping you already play “a bit of piano.”
  • Musicians who are already experienced with another instrument, including blues guitar, can benefit from this course as well. That is, you could potentially (1) pick up some keyboard skills and/or (2) learn new theory stuff and/or (3) get new ideas.

Helpful Course Documents

(Click document’s image below to download or view.)

Catalog of Chords and Scales
Catalog of Chords and Scales (for Blues Piano Crash Course)
Recommended Listening
Recommended Listening (Blues)

The Complete Course (video pages w/ text intros)

Free to all, from Kent of Piano With Kent (this site).

 

‘Piano With Kent’ is a US registered trademark. Although this course is currently free to the public, as published on this site alone, be advised that this entire website, pianowithent.com, and all of its original content is Copyrighted Material. By Kent. D. Smith of Piano with Kent. (c) 2010. All rights reserved.

Cheers!


Lesson One – “The Blues Scale”

 

Supplemental (optional) from “A Study in Blues Piano” – Licks #1 and #2

 

Lesson Two – “A Left-hand Groove”

Lesson Three – “Five Must-know Riffing Devices”

 

Lesson Four – “The Classic 12-bar Blues Progression”

 

Lesson Five – “Put Your Hands Together”

 

Lesson Six – More tips and practice for the Two-Fisted Jammer

 

Lesson Seven – A Walking Bass Line & More Coordination

 

Lesson Eight – Blue Notes and pitch-bending

 

Lesson Nine – The Melody Machine

 

Lesson Ten – Turn-arounds and Endings

 

Lesson Eleven – Playing Blues in Any Key

 

end of list (all core lessons)