VIDEO LESSON ~~ JAZZ IMPROV TUTORIAL ~~ JAZZ EXERCISES
The jazz ‘drill’ in this video is demonstrated on a keyboard, but–of course–it can be applied and practiced on any other instrument, or voice.
This is a chord-based pattern that we will use and adapt for these standard chords: Major, Maj7, Minor, Min-7, Dominant-7….Actually, this concept can applied to any pre-determined chord, such as a diminished or an augmented chord.
Mastery of patterns/concepts like these
Can add fresh interest to your improvised lines, by sometimes preceding the “target tone(s)” of a chord with “approach tones.”
Will increase your mastery of any given scale, especially as it relates to the underlying chords.
As a result, the repeated act of mindfully (and not mindlessly) practicing this drill can increase your general facility with approach tones, as well as give you (possibly new) theoretical insights regarding chord-scale relationships.
Claude Debussy’s timeless and extremely popular piano piece, Clair de Lune, is well-known around the world. Its origins include influences from poetry, the music of Bach’s time (the Baroque period), and the artistic school of Impressionism.
Is ‘Clair’ of Clair de Lune a person’s name? If so, who is that person?
The ‘Clair’ in the title Clair de Lune does not refer to a person.
This is an in-depth study of twelve blues licks, with extensive left-hand support tips. Each lick/riff is explored in detail, including variations, fingering, playing tips, and supporting music theory.
More than just learning the notes by rote, you will get insight into the patterns, scales, chords and intervals involved, including how to transpose each lick.
As a result, each lick will be mastered as RAW MATERIAL for endless variations, with applications in many musical settings (genres).
Lick #10 of this group is actually more than a lick; rather, it gives you a complete two-handed 12-bar opening groove, including a left-hand pattern to support your licks throughout your soloing.
Students can download and print optional sheet music for several of the licks. There’s also a sample solo piece with a 12-bar introduction, followed by a 12-bar piano solo that features licks from the class.
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Hello improvisors and jammers: Here’s a powerful way to play impressive pentatonic piano/keyboard licks when soloing in rock, blues, or jazz settings, using only three fingers in your right hand. This video uses the famous “minor pentatonic” scale (“pentatonic” refers to a five-note scale). With a little work you will be amazed how fast you can fly across the keyboard using this simple trick of the trade!
I recently received a question today (on my YouTube channel), an excellent one, the topic of which is subject to debate. The question is in response to one of my videos about using add9 chords on piano. (A link to the video is included below.)
I thought I would share the thread here:
VIEWER: Isn’t the D in Cadd9 supposed to be an octave higher? I guess I’m just confused as to why it isn’t Add2 instead.
“Rootless voicings” on piano (especially for left-hand support) are great for handling big jazz chords that normally can’t be covered by one hand alone. This video tutorial shows you how to play a rich sounding II-V-I in the left hand, while allowing the bass player (or you, on another beat) to cover the root. Continue reading Chord Voicings for Jazz Piano (Rootless, Left-Hand, Type B)