Chord Voicings for Jazz Piano (rootless, left-hand, Type B)

“Type B” Rootless Chord Voicings for Piano

“Rootless voicings” on piano (especially for left-hand support) are great for handling big jazz chords that normally can’t be covered by one hand alone. This video tutorial  shows you how to play a rich sounding II-V-I in the left hand, while allowing the bass player (or you, on another beat) to cover the root. Continue reading “Chord Voicings for Jazz Piano (rootless, left-hand, Type B)”

Chord Voicings for Jazz Piano (rootless, left-hand, Type A)

“Type A” Rootless Chord Voicings for Piano

“Rootless voicings” on piano (especially for left-hand support) are great for handling big jazz chords that normally can’t be covered by one hand alone. This video tutorial  shows you how to play a rich sounding II-V-I in the left hand, while allowing the bass player (or you, on another beat) to cover the root.

Continue reading “Chord Voicings for Jazz Piano (rootless, left-hand, Type A)”

Chord Symbols: add2 or add9? (includes my video on using added ninth to chords)

Hi everyone!  I recently received a question today (on my YouTube channel), an excellent one, the topic of which is subject to debate.  The question is in response to one of my videos about using add9 chords on piano.  (A link to the video is included below.)

I thought I would share the thread here:

VIEWER: Isn’t the D in Cadd9 supposed to be an octave higher? I guess I’m just confused as to why it isn’t Add2 instead.

Continue reading “Chord Symbols: add2 or add9? (includes my video on using added ninth to chords)”

Blues Lick #6: “Locked up”

 

Welcome Back to a Study in Blues Piano!


Blues Study Lick #6, “Locked Up”

This is a really exciting technique for what I like to call the “Big Blues” sound.  By “Big Blues,” I mean dramatic, exciting, full, like you might hear from a jazz big band.  This kind of lick also works great for building to a climax in your “blues story” (a good solo usually tells a story).
The name of this lick, “Locked Up,” ain’t necessarily because what you’re saying with your fingers might be a story about going to jail. In this video, “Locked up” actually refers to the core idea of the lesson, something called “locked rhythm.”

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How to improvise in modal jazz: Understanding “So What” by Miles Davis

Hello friends!

This is a brief introduction to the idea of “modal jazz.”  We’re going to look at probably the most famous example of modal jazz, a tune called “So What,” by Miles Davis and Bill Evans.

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The keyboards in this list are personally recommended by me. They are Yamaha keyboards, which I swear by (no affiliation there).

Continue reading “How to improvise in modal jazz: Understanding “So What” by Miles Davis”