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FREE Interactive Piano Chord Catalog of 108+ Piano Chords

FREE VISUAL PIANO CHORD BOOK from PIANO WITH KENT!

UPDATE Nov. 17, 2020: You can now purchase a downloadable PDF version of this complete piano chord book HERE.

At bottom is a free interactive eBook which is an excellent reference for my Chords 108 series.***


***This book can also serve as a stand-alone reference, arranged alphabetically and by chord type.


The purpose of the Chords 108 series is to teach students of piano how to memorize all 108 of these chords without the use of an external reference (after one has mastered what’s covered here).

In the context of ‘Chords 108 this optional catalog may be used to check your understanding of the memorization system taught here.

 

OUR  FREE INTERACTIVE CHORD BOOK IS AT THE BOTTOM OF THIS PAGE, AFTER THIS DESCRIPTION:

Continue reading FREE Interactive Piano Chord Catalog of 108+ Piano Chords

Easy-To-Read Sheet Music with Letter-Note Names | Free Lessons and Courses

Moonlight Sonata, Clair de Lune and Many Others | Professionally Annotated with Letter Note-Names

Proceeds from sales of our custom-made SHEET MUSIC WITH LETTERS help keep this website alive, AD-FREE, full of educational content, and FREE TO THE PUBLIC.

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Sheet Music with Letter Note-Names Added (every note is ACCURATELY labeled, as in E, Bb, F, G#).

PRODUCT LISTINGS ARE FURTHER BELOW

QUICK LINKS to our most popular selections:

Moonlight Sonata Package Offer – ALL THREE MOVEMENTS

Moonlight Sonata 1st Movement (the very famous slow and haunting movement of Beethoven’s Piano Sonata No. 14 in C# Minor, “Moonlight”).

Moonlight Sonata 2nd Movement (a nice and easy slow one–very short, and very pretty!)

Moonlight Sonata 3rd Movement (also famous worldwide, this one is fast and furious!)

The Complete Clair de Lune

Für Elise – Entire Piece

ALL PRODUCTS (a growing list)


 

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Jazz Soloing Tip #12

Jazz Half-Step Device for Jazz Solos

Hello friends!

Try this: Go to your instrument and play a C-major scale from top to bottom (C B A G F E D C). Play these as evenly spaced eighth notes in 4/4 time.

You will notice that the final note, the lower C, does not land on a solid beat (in this case, that would be beat one). Instead, it lands on the last eighth note of the previous measure.

Continue reading Jazz Soloing Tip #12

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Here’s a little bit about “So What” chords

I have a micro-slideshow for you today, about “So What” chords.  This one will be followed soon by Part Two. Then, I’ll be adding to these posts, more detail that is, which I do a lot with already posted stuff.


After these quick slides, you might like these two video posts by me, on “Fourth Chords,” which are closely related to “So What” chords:

Fourth Chords on Piano

More on Fourth Chords


Here’s those slides…

SLIDE 1.

Continue reading Here’s a little bit about “So What” chords

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Jazz/Rock/Blues Soloing Tip: Using the ‘Rock-Bottom Four’ of the Blues Scale

A Powerful Tip for Blues, Jazz, and Rock Improvisers

Good day!

This is a slide show, which is a common format that I use on my Instagram channel.

I have discovered that these types of posts are very popular on my Instagram page, so I’m going to start featuring these here, too!

Continue reading Jazz/Rock/Blues Soloing Tip: Using the ‘Rock-Bottom Four’ of the Blues Scale

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Blues Lick #6: “Locked up”

Welcome Back to a Study in Blues Piano!


Blues Study Lick #6, “Locked Up”

This is a really exciting technique for what I like to call the “Big Blues” sound.  By “Big Blues,” I mean dramatic, exciting, full, like you might hear from a jazz big band.  This kind of lick also works great for building to a climax in your “blues story” (a good solo usually tells a story).
The name of this lick, “Locked Up,” ain’t necessarily because what you’re saying with your fingers might be a story about going to jail. In this video, “Locked up” actually refers to the core idea of the lesson, something called “locked rhythm.”

Continue reading Blues Lick #6: “Locked up”

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Chord Symbols: add2 or add9? (includes my video on using added ninth to chords)

Hi Everyone!

I recently received a question today (on my YouTube channel), an excellent one, the topic of which is subject to debate.  The question is in response to one of my videos about using add9 chords on piano.  (A link to the video is included below.)

I thought I would share the thread here:

VIEWER: Isn’t the D in Cadd9 supposed to be an octave higher? I guess I’m just confused as to why it isn’t Add2 instead.

Continue reading Chord Symbols: add2 or add9? (includes my video on using added ninth to chords)

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Chord Voicings for Jazz Piano (Rootless, Left-Hand, Type B)

“Type B” Rootless Chord Voicings for Piano

“Rootless voicings” on piano (especially for left-hand support) are great for handling big jazz chords that normally can’t be covered by one hand alone. This video tutorial  shows you how to play a rich sounding II-V-I in the left hand, while allowing the bass player (or you, on another beat) to cover the root. Continue reading Chord Voicings for Jazz Piano (Rootless, Left-Hand, Type B)

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Blues Piano Crash Course #8: Blue Notes & Pitch-Bending

from The Blues Piano Crash Course

Lesson #8  (video)

In this lesson, we master a couple of specific blues piano tricks of the trade.  I’m using the word specific here, because we’re going to use these devices with a goal in mind, a musical effect that is pretty specific.

The “tricks” in this video are focused on emulating those sounds of blues singers and other instruments who can bend their notes (slide or play between pitches).  You’ll learn about “blue notes,” and also pick up a blues-boogie playing technique called the slide-off.

Continue reading Blues Piano Crash Course #8: Blue Notes & Pitch-Bending