I have a micro-slideshow for you today, about “So What” chords. This one will be followed soon by Part Two. Then, I’ll be adding to these posts, more detail that is, which I do a lot with already posted stuff.
After these quick slides, you might like these two video posts by me, on “Fourth Chords,” which are closely related to “So What” chords:
This is a really exciting technique for what I like to call the “Big Blues” sound. By “Big Blues,” I mean dramatic, exciting, full, like you might hear from a jazz big band. This kind of lick also works great for building to a climax in your “blues story” (a good solo usually tells a story).
The name of this lick, “Locked Up,” ain’t necessarily because what you’re saying with your fingers might be a story about going to jail. In this video, “Locked up” actually refers to the core idea of the lesson, something called “locked rhythm.”
I recently received a question today (on my YouTube channel), an excellent one, the topic of which is subject to debate. The question is in response to one of my videos about using add9 chords on piano. (A link to the video is included below.)
I thought I would share the thread here:
VIEWER: Isn’t the D in Cadd9 supposed to be an octave higher? I guess I’m just confused as to why it isn’t Add2 instead.
“Rootless voicings” on piano (especially for left-hand support) are great for handling big jazz chords that normally can’t be covered by one hand alone. This video tutorial shows you how to play a rich sounding II-V-I in the left hand, while allowing the bass player (or you, on another beat) to cover the root. Continue reading Chord Voicings for Jazz Piano (Rootless, Left-Hand, Type B)
In this lesson, we master a couple of specific blues piano tricks of the trade. I’m using the word specific here, because we’re going to use these devices with a goal in mind, a musical effect that is pretty specific.
The “tricks” in this video are focused on emulating those sounds of blues singers and other instruments who can bend their notes (slide or play between pitches). You’ll learn about “blue notes,” and also pick up a blues-boogie playing technique called the slide-off.
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