Jazz Improv Lesson: A Nice Drill using “Approach Tones” | Free Jazz Tutorial Video



Hello everyone!

The jazz ‘drill’ in this video is demonstrated on a keyboard, but–of course–it can be applied and practiced on any other instrument, or voice.

This is a chord-based pattern that we will use and adapt for these standard chords: Major, Maj7, Minor, Min-7, Dominant-7….Actually, this concept can applied to any pre-determined chord, such as a diminished or an augmented chord.

Mastery of patterns/concepts like these

  • Can add fresh interest to your improvised lines, by sometimes preceding the “target tone(s)” of a chord with “approach tones.”
  • Will increase your mastery of any given scale, especially as it relates to the underlying chords.

As a result, the repeated act of mindfully (and not mindlessly) practicing this drill can increase your general facility with approach tones, as well as give you (possibly new) theoretical insights regarding chord-scale relationships.



Jazz/Rock/Blues Soloing Tip: Using the ‘Rock-Bottom Four’ of the Blues Scale

A Powerful Tip for Blues, Jazz, and Rock Improvisers

Good day!

Today’s post is about using the first four notes of a blues scale as a moveable pattern, with many ear-catching possibilities that can fire up your solos in unexpected ways.

This “rock-bottom four” pattern, starting on any given note, can produce a wide variety of bluesy, funky, and jazzy sounds, when used in a context of your careful choosing, guided by your ear as the final judge.

This is a slide show, which is a common format that I use on my Instagram page, @piano_w_kent.

I have discovered that these types of posts seem to work well on my Instagram page, so I’m going to start featuring these here, too.


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